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The book of Revelation holds some complex and intense imagery, but eighteenth-century scientist and philosopher Emanuel Swedenborg found a beautiful promise for the future beneath the sometimes frightening descriptions in the literal text. And what’s more, the visions described in the biblical book reveal a better way to live today.
In this episode, host Curtis Childs and featured guests explore the inner meaning uncovered in the Bible during Swedenborg’s mystical explorations of the spiritual world. Join in as they go through the first chapter of the book of Revelation to explore the spiritual meaning of the vision and the symbolism of the seven stars and seven lampstands that John saw.
The Genesis of Revelation
While Swedenborg worked within a Christian framework, his understanding of the spiritual realm can guide people from any background. The vision that John had on Patmos revealed universal truths.
Who was John? The actual historical identity of the person who wrote the book of Revelation is a matter of speculation, but Swedenborg says that when John introduces himself as “your brother and companion” (Revelation 1:9), he’s setting the stage for understanding this vision. John represents the goodness inside each one of us that connects with God and with each other.
Swedenborg’s analysis of Revelation 1:9–11 speaks to a yearning for divine love, having a sense of isolation from God and then feeling that divine presence flow into you. The events of the vision, Swedenborg says, will happen in reality on a spiritual level but not a physical level.
But before we can delve further into the imagery, you should know that even Swedenborg struggled with the meaning of Revelation. Dr. James Lawrence discusses the difference between Swedenborg’s multiple works on Revelation.
May I Speak to Your Cerebellum?
In his vision, John heard a voice and turned around. In order to understand why that matters, we need to understand how the human brain works. Swedenborg, in addition to his many other talents, had studied human anatomy, and his early writings analyzing brain function are acknowledged by modern neurologists to be far ahead of his time. In Apocalypse Explained (§61), Swedenborg says that the reason the voice came from behind John is that divine energy flows into us through the cerebellum, which is located at the back of our skull. He connects the cerebellum with a part of our mind called the will (which contains our feelings) and our cerebrum with the understanding or intellect, where thoughts occur.
Understanding Swedenborg’s scientific approach to spiritual matters can be difficult, so Karin Childs shares a personal story that helps to clarify.
Once John turned, he saw seven lampstands. These also have an inner meaning: enlightened by the love he has received from God, John now realizes that there are many others guided by the same compassion and sense of altruism. These people will be part of the new church, the spiritual age that is to come.
We’ve made it through verse 12! Ready to move on? Revelation 1:13 describes a figure “like the Son of Man” dressed in a long robe with a golden sash.
Goodness radiating is meant [by the sash being tied around the chest] because all clothing symbolizes things that emanate. Clothing is outside the body and clothes it, just as things that emanate are also outside the body and surround it. In the spiritual world, we are all dressed in clothing that reflects our desire to become intelligent and wise. All spirits and angels have an aura of this desire emanating from them called the aura of their life, and their clothing reflects this aura. (Apocalypse Explained §65)
This figure is in the middle of the lampstands—that is, he is the center of this new spiritual mindset—with clothing that symbolizes goodness taking form and reaching out to join with us.
But although clothes make the Son of Man, they’re far from the whole story. In the next part, we explore more details about this figure.
John describes the figure he saw as having white hair and red eyes. The image seems frightening, but it means so much more. The hair represents purity of goodness and truth, and the eyes represent the wisdom of providence powered by the fire of divine love. His feet were brass, representing divine goodness on earth.
The vision gets even stranger from there when John sees a sword protruding from the figure’s mouth. This—combined with the seven stars around the figure’s hand—represents divine truths coming to earth and combating false ideas.
Swords are often mentioned in the Word, and they symbolize nothing else than truth combating falsities and destroying them. In an opposite sense they also symbolize falsity combating truths. For wars in the Word symbolize spiritual wars, which are those of truth against falsity, and of falsity against truth. Therefore the weapons of war symbolize the means by which the combat is carried on in these wars. It is apparent that the sword here means a dispersion of falsities by the Lord, because it was seen to issue from his mouth, and to issue from the Lord’s mouth is to do so from the Word, for the Lord spoke it with his mouth. Furthermore, because the Word is understood by means of doctrine drawn from it, this too is symbolically meant. It is called a sharp two-edged sword because it pierces the heart and soul. (Apocalypse Revealed §52)
Before we go on, a quick break for a fan video: a fan shares the story of how she discovered Swedenborg and suggests a correspondence between humans, fruit trees, and weeds.
And when I saw him, I fell at his feet as though dead. (1:17) This symbolically means that he experienced a failure of his own life owing to such a presence of the Lord. A person’s own life cannot endure the presence of the Lord such as the Lord is in himself, indeed such as he is in the inmost constituents of his Word. For his divine love is altogether like the sun, which no one can endure as it is in itself, because it would consume him. (Apocalypse Revealed §54)
God is like the sun: he sustains life, but that doesn’t mean it’s safe to get too close. The Lord’s divinity is so powerful that it’s difficult even for angels to be in his presence.
When John collapsed, the Lord reached out to him to share his strength.
The Lord laid his right hand on him because a communication is effected through the touch of the hands. That is because the life of the mind and so of the body projects itself into the arms and through them into the hands. It is on this account that the Lord touched with his hand the people He brought back to life and healed . . . The fundamental reason for this is that the Lord’s presence with us consists in his attaching to us and therefore in his uniting with us by being close to us, and this closeness is more intimate and complete the more we love him, or in other words, the more we do what he commands. From these few observations it can be seen that the Lord’s laying his right hand on John means, symbolically, that he infused his life into him. (Apocalypse Revealed §55)
Then the figure speaks: “Do not be afraid; I am the First and the Last. I am he who lives, and was dead, and behold, I am alive forevermore. Amen. And I have the keys of Hades and of death” (Revelation 1:17–18). Here we have the offer that the Lord makes to all of us: to fill us with life, love, and faith, and to save us from the mindset that leads us to hell.
All this symbolism has a point—it’s a blueprint for a new church. At this point in the vision, the Lord explains the symbolism of the seven stars over the seven lampstands.
Because seven symbolically means all, the seven lampstands do not mean seven churches but the church in its entirety, which in itself is one, though varied in accordance with people’s reception. These variations may be compared to the various jewels in a royal crown; and they may also be compared to the various members and organs in an intact body, which nevertheless form a single unit. The perfection of every form arises from various components suitably arranged in their proper order. That is why the seven churches describe the entire New Church in its varieties. (Apocalypse Revealed §66)
In other words, the seven lampstands represent seven churches, meaning seven different mindsets or approaches to religion that together create a perfect understanding of spiritual truth. These lampstands, or churches, reappear at the end of Revelation: the vision of a beautiful spiritual unity at the beginning is fulfilled at the end of the vision. The chapters in between depict all of the obstacles that stand in the way—but that’s a story for another time.
It’s a long path, but in the end it will take us to a better world. In the meantime, here’s a visual meditation on the meaning of all of the imagery that appeared in this episode.
- Is there a question that Curtis has that Swedenborg doesn’t address?
- I’ve been watching many episodes but I’m not clear on if we come into this life from the spirit world and then return to it? Do we only live a life once?
- Since many centuries have passed since the writing of Revelation and the symbolic interpretation we’re seeing now, is further more enlightened interpretation to be expected in future centuries?
- If church means “state of mind and heart,” why not just translate it as that instead of the word “church,” which holds such negative connotations?
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About Swedenborg and Life
In a lighthearted and interactive live webcast format, host Curtis Childs from the Swedenborg Foundation and featured guests explore topics from Swedenborg’s eighteenth-century writings about his spiritual experiences and afterlife explorations and discuss how they relate to modern-day life and death.
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When we wake up in heaven, Swedenborg tells us, angels roll a covering from off of our left eye so that we can see everything in a spiritual light. The offTheLeftEye YouTube channel uses an array of educational and entertaining video formats to look at life and death through an uplifting spiritual lens.
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